The Leftovers by Tom Perrotta (St Martin's Press 2011)

The coverage felt different from that of September 11th, when the networks had shown the burning towers over and over. October 14th was more amorphous, harder to pin down: There were massive highway pileups, some train wrecks, numerous small-plane and helicopter crashes - luckily, no big passenger jets went down in the United States, though several had to be landed by terrified co-pilots, and one by a flight attendant who'd become a folk hero for a little while, one bright spot in a sea of darkness - but the media was never able to settle upon a single visual image to evoke the catastrophe. There also weren't any bad guys to hate, which made everything that much harder to get into focus.
Depending on your viewing habits, you could listen to experts debating the validity of conflicting religious and scientific explanations for what was either a miracle or a tragedy, or watch an endless series of gauzy montages celebrating the lives of departed celebrities - John Mellencamp and Jennifer Lopez, Shaq and Adam Sandler, Miss Texas and Greta Van Susteren, Vladimir Putin and the Pope. There were so many different levels of fame, and they all kept getting mixed together - the nerdy guy in the Verizon ads and the retired Supreme Court Justice, the Latin American tyrant and the quarterback who'd never fulfilled his potential, the witty political consultant and that chick who'd been dissed on The Bachelor. According to the Food Network, the small world of superstar chefs had been disproportionately hard hit.