A wire fence separated the Bajan sculptor's garage apartment and yard from the Robert E. Lee housing project. At least thirty black kids were playing some kind of grab-ass on the other side of the fence. They came over to the fence to stare at Hoke while he pulled into the narrow backyard and parked. There was a huge sculpture of a birdlike creature in the yard, blocking the way to the closed door of the garage. The wings were fashioned from automobile fenders, and the body was formed with welded auto parts. The "bird" had been painted with red rustproofing primer, and its eyes were red glas taillights. The eyes were unlighted, and Hoke wondered for a moment if the sculptor would wire them for electricity when he was finished with the sculpture. He then realized that he didn't give a shit what the sculptor decided to do, because he would never have to look at it again.
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Tuesday, October 25, 2011
New Hope for the Dead by Charles Willeford (Vintage Crime/Black Lizard 1985)
A wire fence separated the Bajan sculptor's garage apartment and yard from the Robert E. Lee housing project. At least thirty black kids were playing some kind of grab-ass on the other side of the fence. They came over to the fence to stare at Hoke while he pulled into the narrow backyard and parked. There was a huge sculpture of a birdlike creature in the yard, blocking the way to the closed door of the garage. The wings were fashioned from automobile fenders, and the body was formed with welded auto parts. The "bird" had been painted with red rustproofing primer, and its eyes were red glas taillights. The eyes were unlighted, and Hoke wondered for a moment if the sculptor would wire them for electricity when he was finished with the sculpture. He then realized that he didn't give a shit what the sculptor decided to do, because he would never have to look at it again.
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