Gloomy Sunday?

Finally hit a 180 with my Harrows Graflite 24g. I've had them since the end of June. I only throw with them occasionally - maybe a bit more now - but it's always nice to hit a least one 180 with any darts you have knocking about.

Now, if I could only hit a 180 with my 28g Datadart brass darts  . . . 

51/50

Darts Greatest Games: Fifty Finest Matches from the World of Darts by Matt Bozeat (Pitch Publishing 2017)

 

Sid Waddell told the armchair enthusiasts that Deller was “not just an underdog, he’s an underpuppy” and asked: “Can Deller do the unthinkable and beat Bristow in the world final?”

For Deller, who threw spring-loaded darts designed to avoid bounce-outs, reaching the final, a fine achievement for a qualifier, wasn’t enough.

He was there to win the World Championship and predicted a 6-3 victory.

He blew six darts at a double to make it happen…

Earlier, the match had swung this way – Deller led 3-1 – then the other – Bristow levelled at 3-3 – then back again.

Deller won the seventh and eighth sets, taking him into a 5-3 lead and just one set away from the World Championship.

In the ninth set, Deller was 64 points away, then 18, then eight, then four…

Six darts at a match-winning double were missed and Deller spent the next two sets “shaking my head. I should have been world champion.”

Ever the opportunist, Bristow showed why commentator Dave Lanning described him as “a burglar” on the oche.

In his youth, Bristow had burgled houses and the North London ne’er-do-well-turned-king-of-darts brought his street cunning to darts. Knowing Deller was vulnerable, his mind elsewhere, Bristow smoothly upped his average by a few points and plundered five legs without reply while Deller chewed over those missed match-winning chances.

When he claimed the opening leg of the 11th and deciding set, Bristow led for the first time in the match and that realisation, the possibility of defeat, snapped Deller out of his ruminations. Either he started throwing his best darts again or he would lose – and he hadn’t come here to lose.

The spell broken, he rediscovered his fluency to break back immediately with a 121 checkout, then hold his throw to leave Bristow needing to do the same to save the match.

Bristow got to a finish first in that fourth leg.

He took aim at 121 with Deller also on a three-dart finish, 138.

Bristow threw 17, then treble 18 and with 50 left, everyone zoomed in on the bull’s-eye. Everyone apart from Bristow, that is. Rather than go for the bull’s-eye to win the leg, Bristow was so sure Deller wouldn’t take out 138 for the match, he threw 18 to leave his favourite double 16.

This wasn’t hubris. Bristow had thought it all through. He reckoned Deller’s mental mastication – “He could have beaten me earlier, he had his chance” – and the awkwardness of the 138 finish – “it was all over the place” – guaranteed he would come back to the oche and have three darts at his favourite double.

Years later, he would think otherwise, saying the pressure would have been greater on Deller had he been faced with a smaller finish. “If he had 58 left he would have been standing behind me thinking: ‘I’ve got two more darts for the title,’” he said, but still, nobody, not just Bristow, really expected Deller to take out 138.

“He’s banking on Deller not doing this!” cried Waddell excitedly and when Deller’s first dart landed in treble 20, there was a chance Bristow had got it wrong.

Deller had taken out big finishes in the earlier rounds of the championship and knew what he was doing. “I didn’t stop,” he said. “There was no way I was going to think about it.”

Had he thought about the importance of the darts he was throwing, his arm would surely have twitched, so Deller ignored the crowd’s growing excitement when he nailed treble 18 and coolly switched across the board to fire his final dart into double 12.

“I have never seen anything like it in my life,” said Waddell while Deller shook his fists above his head in sheer joy.

“It was perhaps the next best thing that could happen to me,” Deller would tell Darts World, “… next to playing for Ipswich Town.”

The Crafty Cockney by Deryk Brown (Futura 1985)

 

Darts Apprentice

Alec Williams was passing a classroom one day when he discovered that Bristow was inside, throwing darts. He saw one dart clip a boy’s ear and was, naturally, horrified. He shouted out that this was highly dangerous. ‘Oh, no, sir,’ came the reply in a chorus. ‘Eric wouldn’t hit anyone unless he meant to. ’

Bristow learned his darts from his father. George used to play, perhaps twice a week, about the time he got married, usually at the Londesborough public house in Stoke Newington. During the years that followed he played little. He did not have the money to go regularly into pubs. George’s interest was not seriously fired until his son showed an aptitude for the game. For two years, from nine to 11, Bristow simply threw darts at the board. After that, he suddenly became good.

Even then, as he threw he would cock his little finger like a man eating lobster at Buckingham Palace — this style, later to become famous, is natural and not affected. Bristow had a natural stance and a natural throw, too, with no apparent effort involved. (This does not mean, of course, that he did not put a vast amount of work into his game.) As soon as he was tall enough, he began to lean towards the board, another characteristic which was to stay with him. There is a school of thought which believes that darts players should not lean because they cannot achieve perfect balance and control if they do. ‘You’ll never make a darts player like that,’ George once told his son in the early days within hearing of half a pub. Bristow leaned towards the board and popped in another dart.

As we have seen, from the age of nine Bristow had both a five-foot snooker table and a dartboard at home as a shift in the often-changing household created a little more For a while he played both games against George but the snooker petered out. The snooker matches were not sufficiently momentous for either father or son to remember who won. Darts took over as Bristow began thousands of hours of practice. If there was something unappealing on television — a love story or some soap opera — Pam would be left to watch it on her own. She would be expected to arrive with a plate heaped with sandwiches from time to time as the darts score mounted. For Pam Bristow, the suffragettes had fought in vain.

The male Bristows would often play 1,001-up, which many darts buffs argue is the best form of all. Certainly, it is the best format for an aspiring champion to play: it enables him to get into the groove of high scoring better than the shorter 501-up, which is tailored for‘ television. And, in theory at least, the Bristow even played a million-and-one as well. They would set out on that long trail, add up their total in lots of 10,001, and eventually lose track of their score, this being before the days of calculators and home computers. Bristow maintains that he and George could, in fact, have got through a game of a million-and-one in 24 hours or so. That is unlikely, although it is I surprising how quickly these marathons go.

By the time he was 13, Bristow was becoming quite proficient at darts. He had tried football, cricket, golf, boxing, swimming and cards, plus one or two more pursuits. He could, for instance, play chess and dominoes. But it seemed as though he would be best at darts. Occasionally he could score 140 which is two darts in the small treble 20 bed, and another dart in the single 20. Very occasionally, at 12, he would score 180, which is all three darts in the treble 20 bed. In darts, they get quite excited about that.

Seven Kinds of People You Find in Bookshops by Shaun Bythell (David R. Godine, Publisher 2020 )

 

Yesterday, a man telephoned the shop and asked for a copy of my second book, Confessions of a Bookseller. The total, including postage, was £18. As I was taking down his credit card details, he said, ‘Please add an extra £10.’ When I asked him why, he replied, ‘Because I know how hard this time must be for businesses like yours, and I want you to still be there when all of this is over, so that I can come and visit the shop again.'

The Clearance by Joan Lingard (Hamish Hamilton Children's Books 1974)

 

‘I don't like hills,' I said, shocking the Frasers, as I knew I would. To them the hills were sacred; they plodded up and down them as purposefully and reverently as pilgrims trudging to Mecca. It's a form of religion. Like bingo, or football. My mother goes to bingo; Mrs Fraser takes to the hills. ‘I don't have to like them, do I?' I asked. I seemed to have struck them dumb. It was the first time that I hadn’t heard them chattering. I no longer felt awkward; I was enjoying myself.

‘She’s a city lass,’ said Granny apologetically.

Freak Out the Squares: Life in a band called Pulp by Russell Senior (Aurum Press 2015)

 

I was living in a flat above a sex shop with a girl who had a bit of a Béatrice Dalle thing going on and was the object of much pining amongst local musicians, including Jarvis. In a bid to impress her, he climbed Artery-style out of the window and made his way along the ledge, only to fall twenty feet onto the pavement in front of the sex shop – his broken glasses and splayed limbs serving as a dire warning on the dangers of pornography to several adolescent boys who had been plucking up the courage to go in.

It seemed touch and go for a bit, he’d broken his hip and was in hospital for a while, then moved out into residential care. But he slowly improved and was able to come out in a wheelchair. We had to cancel a couple of shows but he gamely did the rest in his wheelchair.

I shamelessly milked the mishap for all it was worth and took Jarvis down to London to do press, which included a surreal photo shoot pushing him round a skateboard park in the chair.

For the next show at The Clarendon, London, we brought a coach party down from Sheffield. The trip down to London was always filled with expectation. On the way into the metropolis, the excitement mounted: there were famous people just walking down the street, bold as brass. Rover always seemed to spot Oliver Reed just disappearing into a pub and demand that the van stop, but no one else ever saw him. It was probably just wishful thinking on Rover’s part, like the time when he went past Felicity Kendall in the street and she ‘gave him the eye’. Can’t remember the concert, it got some reviews.

Never one to avoid advancing the greater glory of Pulp by resorting to bad taste, I cut out a picture from a Romania Today, 1968 magazine of a forlorn man wired up with electrodes – onto which I drew broken glasses to make it look like Jarvis.

I Care a Lot (2020)

 

Found on my phone . . .

Posted on the blog on 22nd September, 2024 . . . seriously.

Why were you hiding on my phone? My 50th 180 of 2021 and I've never got round to posting it. That just doesn't make sense.

50/50

No Wonder I Take a Drink by Laura Marney (Saraband 2004)

 

My lasting memory of Mum is of her standing leaning against her bed, wearing her good pearls, nicely turned out in a peach blouse and lemon cardi, bare naked from the waist down. She was threatening to sign herself out of the hospice for the third time that week. Anticipating this I had sneaked her in a half bottle of vodka. We both knew it would probably finish her off but that's the way she wanted it. She died three nights later. Before she died and after I'd helped her put her drawers on and poured her a watered-down vodka and coke, she nearly told me something.

I could see she was struggling and I suppose I should have been more patient or just told her to bloody well spit it out, but at the time I was too busy noticing that my mother had no pubic hair. I couldn't believe that, at age sixty-eight, she would take the trouble to give herself a shaven haven. Where would she have got hold of a razor? And besides, her hands shook most of the time.

At first I thought it was just another of her rants about the Health Service, actually a thinly disguised rant about her own health, but her tone was different, not angry, she seemed frightened. She closed her eyes and shook her head vigorously, the way she did when we argued. And then she went strange. She started rocking back and forth, moaning and shuddering.

'Your dad says I should ...'

She was scaring me with her amateur dramatics so I decided to nip it in the bud.

'Dad's dead, Mum, he died four years ago.’

Slowly she opened her eyes and showed me a thin aggressive smile.

This Much is True by Miriam Margolyes (John Murray Publishers 2021)

 

At that time, in the late sixties and throughout the seventies, Equity was sharply divided on how best to fight apartheid. A growing list of international playwrights, including Daphne du Maurier, Samuel Beckett, Tennessee Williams, Muriel Spark and Arthur Miller signed a declaration through the Anti-Apartheid Movement in London, refusing performing rights for their plays to all theatres in South Africa where discrimination was practised on grounds of colour.

I agreed, I felt that artists and sports people should refuse to work there – we had to name and shame the South African government by boycotting all commercial artistic engagement in the country.

As an Equity Council member, I attended all the meetings. Vanessa Redgrave was never a member of the Council, but she and her brother, Corin, regularly spoke at the annual general meetings with fire and fluency – both superb speakers without notes. I first worked with Vanessa in 1972. Ted Heath was in Number 10; in Equity likewise, the right wing was in power: people like Marius Goring and Nigel Davenport and Leonard Rossiter. Leonard was a bastard: a good actor, but a nasty, spite-driven man. With all those right-wing actors flexing their muscles, the Workers Revolutionary Party faction were the great opposition, and so Vanessa became an important element in the deliberations.

Vanessa was quite retiring, except when there was anything political going on, and then she would harangue you from morning till night. I didn’t know her well but, intoxicated by her articulate conviction, I started to join her at the WRP meetings.

When you were interested in politics in those days – and I suppose for some people it is still the case – you had to go to meetings. You wanted to stand up and be counted, and I was no different. I soon became a signed-up member, though whether I joined the WRP literally because of Vanessa, I don’t know.

Not long after I became a member, the WRP annual summer camp was held in an enclosed field by the Blackwater estuary in Essex; naturally I went along. Gerry Healy, the leader of the WRP, was an unpleasant, devious chap; he was dangerous in fact. There were talks and discussions in a big tent and Gerry would lecture us all about how to move England to the extreme left. I’d never been to that sort of political meeting before, and it was not appealing. Most of the other camp attendees clearly found it rousing: I found it threatening and nasty. I realised then that this wasn’t my idea of a left-wing revolution, but the summer camp was in a beautiful place, and Vanessa and people like Frances de la Tour were there, so I stayed. In the morning, I thought I’d go for a walk with a chum. When we arrived at the fence enclosing the camp, a man with a gun was guarding the gate. He said, ‘Where do you think you’re going?’ I said, ‘For a walk.’ He said, ‘Oh, no. You can’t leave.’ I said, ‘What do you mean we can’t leave? We want to go for a walk.’ ‘Well, you can’t. That’s against the rules,’ he said. ‘No one can leave the camp.’ And he put his hand firmly on his gun. ‘All right, love, keep your hair on,’ I said and we went back to the Red House, our revolutionary hostel. Although I stayed to the end of that particular jamboree, that incident marked the end of my workers’ revolution”