10 Things I Hate About You (1999)

Do I Love You? by Paul McDonald (Tindal Street Press 2008)

Birmingham University 1985

A Naked Billy Goat

It was 2 a.m. and Warren was busy burgling the research laboratories of Birmingham University. He was looking for drugs, amphetamines preferably, and he’d already filled three carrier bags with stuff: powders, capsules, pills; anything that looked promising in the orange flare of his fag lighter. He’d never burgled a university laboratory before. He’d burgled everywhere else — chemists, doctor and dentist’s surgeries, the houses of fat ladies who he knew were prescribed amphetamine for slimming purposes. But this was his first laboratory — and it was full of chemicals. Thousands of them.

But he hadn’t expected a billy goat, let alone a naked one. And yet there it was, standing alone in a pen made of plywood and chicken wire. Naked. Nude. Bare-beamed and obscenely starkers.

In the ordinary course of things the word naked isn’t one you associate with billy goats. They’re always naked, aren’t they? Except for the ones that dress up as mascots for marching bands. But few words could better describe the billy goat that Warren Clackett observed.

Warren screamed.

It was a proper scream too: almost prepubescent in its shrillness. He hadn't screamed that way since the day he saw his pet pit-bull, Panzer, lose a fight with a squirrel. His assumptions about how the universe works were undermined that day and it was happening again.

The Drop (2014)

Mr. Peabody & Sherman (2014)

How To Rob An Armored Car by Iain Levison (Soho Press 2009)

Mitch was staring at a case of auto air fresheners.

Really staring at them. He was having some deep thoughts, wondering who came up with the idea of freshening the interior of a car. Mitch’s own car smelled like gas and pot smoke and mold, which was fair enough, because the roof leaked and the carpet was always damp, and he hotboxed a joint out there every day during his lunch break, and the car ran on gas. That was what an old car should smell like. He knew if he put an air freshener in it, it would smell like gas and pot smoke and mold and a chemical approximation of a pine tree, which wouldn’t really be better, just different.

He and Charles had gone out at lunch and fired up a joint and Charles had told him that he had nine brothers and sisters back in Lagos, Nigeria, and two of them had been killed by the secret police. Mitch hadn’t known what to say. In a way he envied Charles for having had a life so shitty that working at Accu-mart was a slice of heaven. He wished he had stories about having come from somewhere merciless and tragic. Instead, he had stories about living with a distant father while attending public school in Queens, and by comparison those stories shrieked of insignificance. Even he found them dull, and because of this, working at Accu-mart was even duller, a mind-numbing slow torture that was turning his brain into lifeless putty. Work, cable TV, smoke a bowl, sleep. Try to hide from suffering in all its many forms and wind up envying people whose families were getting killed by the secret police.

Maigret and the Loner by Georges Simenon (A Harvest/HBJ Book 1971)

The door was so rotten that it would no longer serve even as firewood. It was Maigret who pushed it open. Standing on the threshold, he could see what the Police Superintendent had meant when he had promised him a surprise.

It was a fair-sized room, and the panes of both windows had been replaced with cardboard or stiff paper. The uneven floor, with gaps of more than an inch between the boards, was covered with an incredible litter of bric-a-brac, most of it broken, all of it useless.

Dominating the room was an iron bedstead on which lay, fully dressed, on an old straw mattress, a man who was unmistakably dead. His chest was covered with clotted blood, but his face was serene.

His clothes were those of a tramp, but the face and hands suggested something very different. He was elderly, with long silvery hair shot through with bluish highlights. His eyes, too, were blue. Maigret was beginning to feel uneasy under their fixed gaze, when the Superintendent closed them.

The man had a white moustache, slightly turned up at the ends, and a short Vandyke beard, also white.

Apart from this, he was close-shaven, and Maigret saw, with renewed surprise, that his hands were carefully manicured.

“He looks like an elderly actor got up as a tramp,” he murmured. “Did he have any papers on him?”

“None. No identity card, no old letters, nothing. Several of my inspectors, all assigned to this district at one time or another, came and had a look at him, but none of them recognized him, though one thought he might have seen him once or twice rummaging in trash cans.”

The man was very tall and exceptionally broad-shouldered. His trousers, which had a tear over the left knee, were too short for him. His tattered jacket, fit only for the rag bag, was lying crumpled on the filthy floor.

“Has the police doctor seen him?”

“Not yet. I’m expecting him any minute. I was hoping you’d get here before anything had been touched.”

Autobiography by Mother Jones (Charles H. Kerr & Co 1925)

 

Early Years

I was born in the city of Cork, Ireland, in 1830. My people were poor. For generations they had fought for Ireland’s freedom. Many of my folks have died in that struggle. My father, Richard Harris, came to America in 1835, and as soon as he had become an American citizen he sent for his family. His work as a laborer with railway construction crews took him to Toronto, Canada. Here I was brought up but always as the child of an American citizen. Of that citizenship I have ever been proud.

After finishing the common schools, I attended the Normal school with the intention of becoming a teacher. Dress-making too, I learned proficiently. My first position was teaching in a convent in Monroe, Michigan. Later, I came to Chicago and opened a dress-making establishment. I preferred sewing to bossing little children.

However, I went back to teaching again, this time in Memphis, Tennessee. Here I was married in 1861. My husband was an iron moulder and a staunch member of the Iron Moulders’ Union.

In 1867, a yellow fever epidemic swept Memphis. Its victims were mainly among the poor and the workers. The rich and the well-to-do fled the city. Schools and churches were closed. People were not permitted to enter the house of a yellow fever victim without permits. The poor could not afford nurses. Across the street from me, ten persons lay dead from the plague. The dead surrounded us. They were buried at night quickly and without ceremony. All about my house I could hear weeping and the cries of delirium. One by one, my four little children sickened and died. I washed their little bodies and got them ready for burial. My husband caught the fever and died. I sat alone through nights of grief. No one came to me. No one could. Other homes were as stricken as was mine. All day long, all night long, I heard the grating of the wheels of the death cart.

After the union had buried my husband, I got a permit to nurse the sufferers. This I did until the plague was stamped out.

I returned to Chicago and went again into the dressmaking business with a partner. We were located on Washington Street near the lake. We worked for the aristocrats of Chicago, and I had ample opportunity to observe the luxury and extravagance of their lives. Often while sewing for the lords and barons who lived in magnificent houses on the Lake Shore Drive, I would look out of the plate glass windows and see the poor, shivering wretches, jobless and hungry, walking along the frozen lake front. The contrast of their condition with that of the tropical comfort of the people for whom I sewed was painful to me. My employers seemed neither to notice nor to care.

Summers, too, from the windows of the rich, I used to watch the mothers come from the west side slums, lugging babies and little children, hoping for a breath of cool, fresh air from the lake. At night, when the tenements were stifling hot, men, women and little children slept in the parks. But the rich, having donated to the charity ice fund, had, by the time it was hot in the city, gone to seaside and mountains.

In October, 1871, the great Chicago fire burned up our establishment and everything that we had. The fire made thousands homeless. We stayed all night and the next day without food on the lake front, often going into the lake to keep cool. Old St. Mary’s church at Wabash Avenue and Peck Court was thrown open to the refugees and there I camped until I could find a place to go.

Near by in an old, tumbled down, fire scorched building the Knights of Labor held meetings. The Knights of Labor was the labor organization of those days. I used to spend my evenings at their meetings, listening to splendid speakers. Sundays we went out into the woods and held meetings.

Those were the days of sacrifice for the cause of labor. Those were the days when we had no halls, when there were no high salaried officers, no feasting with the enemies of labor. Those were the days of the martyrs and the saints.

I became acquainted with the labor movement. I learned that in 1865, after the close of the Civil War, a group of men met in Louisville, Kentucky. They came from the North and from the South; they were the “blues” and the “greys” who a year or two before had been fighting each other over the question of chattel slavery. They decided that the time had come to formulate a program to fight another brutal form of slavery—industrial slavery. Out of this decision had come the Knights of Labor.

From the time of the Chicago fire I became more and more engrossed in the labor struggle and I decided to take an active part in the efforts of the working people to better the conditions under which they worked and lived. I became a member of the Knights of Labor.

Cup of tea?

Erm, Happy  New Year.

The Shark-Infested Custard by Charles Willeford (Underwood-Miller Books 1993)

 

What is very sweet, bright yellow, and extremely dangerous?

 --old Miami riddle.

 

PART I

 

    Larry "FUZZ-O" Dolman

 

In Florida, the guilty party who spills everything to the State Attorney first gets immunity...

 

CHAPTER ONE

 

It started out as kind of a joke, and then it wasn't funny any more because money became involved. Deep down, nothing about money is funny.

Rejoice, Rejoice!: Britain in the 1980s by Alwyn Turner (Aurum Press 2008)

With a few exceptions – the anonymous narrator of Raymond’s Factory novels, Rankin’s John Rebus exploring the seedier side of Edinburgh with ‘its crooks and bandits, its whore and gamblers, its perpetual losers and winners’ – these characters primarily inhabited the small towns and middle-class world that had characterized the golden age. Even in Taggart, firmly located in Glasgow, the murderers whose stories were told in the first three series included a couple of small businessmen, a guest-house owner, a doctor, a philosophy student, a dentist and an ex-probation worker, as well as a group of bereaved parents meting out justice to the drug dealer responsible for their children’s deaths. Despite the urban setting, this is a world away from The Sweeney; there are no car chases, just Sgt Livingston running after teenagers and getting bitten by the occasional dog, and there is little suggestion of a criminal class separate from society: these are just ordinary, respectable people caught up in their own lives. And, at the other extreme of television detection, there was Jim Bergerac, investigating much smaller problems on Jersey and learning ‘to take the smooth with the smooth’.

Though the backdrop might have suggested a retreat from the city to the closed communities of Agatha Christie (encapsulated by Colin Watson as Mayhem Parva), there was an edge, to the literature at least, that was far removed from the cosiness of Miss Marple, an engagement with society, a desire to comment on contemporary mores. And although the likes of Morse and Dalgliesh spent much of their time behaving as though they were still autonomous detectives in the tradition of Holmes and Poirot, capable of solving any case through the exercise of their intellect, the central characters were still police officers, and couldn’t fail to notice the changing role of the force in the modern world. In one of Rendell’s novels, Inspector Burden initiates the putting of coloured lights in the tree outside the police station ‘in the interest of promoting jollier relations with the public’. His boss, Wexford, disapproves of the gesture, but it’s revealing that there was a perceived need for such a move: ‘surely you couldn’t go on feeling antagonistic towards or afraid of or suspicious about a friendly body that hung fairy-lights in a tree in its front garden?’ Elsewhere Peter Robinson’s character Inspector Banks was becoming increasingly disillusioned with the new role of the force: ‘he had many objections to the way the government seemed to look upon the police as a private army of paid bully boys to pit against people with genuine grievances and a constitutional right to air them.’ He consoles himself with the thought that he’s a detective ‘and he didn’t have to go on crowd control, bashing the bonces of the proletariat.’ But even detectives are affected by the rise of what Reginald Hill’s Andy Dalziel refers to as ‘porkism’, as his own sergeant concludes: ‘A man’s got to be mad to stay in a job where the public hates you and Maggie Thatcher loves you.’

Most political of all was Derek Raymond’s detective sergeant, who reflects on the police powers promised in a new piece of legislation (presumably inspired by the controversial Police and Criminal Evidence Act of 1984): ‘It was what I thought of as banana laws – the law of a society in the process of breaking down. Once properly tightened up, it would have meant that I could stop and arrest a man in the street simply because I didn’t like the look on his face, or the way his pockets bulged. It would have synchronized nicely with the plastic ID cards that every citizen would be required to carry by then, and before long we would have turned the country into a birdcage.’