Latest post to the World Socialist Party of the United States website:
Obama - Whose President?
Monday, November 16, 2009
Sunday, November 15, 2009
Tricots for goalposts
Diplomatic incident between the Republics of France and Ireland over the small matter of Sarkozy and last night's World Cup play-off game in Dublin.
Hat tip to a Urban 75er.
Radical Film Forum - 'Matewan'
From John Sayles's book, 'Thinking in Pictures: the making of the movie Matewan (1987)
Why Matewan?
There's no place in America like the hills of West Virginia and eastern Kentucky. There'll be a river, usually fast running and not too wide, and on the flatland along its banks a railroad track and maybe a little town, only two or three streets deep before the land starts rising up steep all around you. You've got to look straight up to see the sky and often there's a soft mist shrouding the holler. The hills hug around you - stay inside of them for a while and a flat horizon seems cold and unwelcoming. It's always been a hard life there, with not enough bottomland to farm and no easy way to get manufactured goods in or out of the area. The cash crops had to be torn out from the ground, first timber and then coal. It's a land that doesn't yield anything easily.
In the late sixties I hitchhiked through the area several times and most of the people who gave me rides were coal miners or people with mining in their families. They spoke with a mixture of pride and resignation about the mining - resignation about how dark and dirty and cold and wet and dangerous it was and pride that they were the people to do it, to do it well. The United Mine Workers were going through heavy times then. Their president, Tony Boyle, was accused of having his election opponent, Jock Yablonski, murdered. The coal companies and most of the political machinery that fed on them and even the UAW hierarchy denied even the existence of black lung disease and refused any compensation for it. All this was added to the usual mine accidents and disasters and wild fluctuations in coal prices. But every miner I talked to would shake his head and say, "Buddy, this ain't nothin compared to what used to go on. I could tell you some stories." The stories would be about their grandfathers and uncles and fathers and mothers, and the older men would tell their own stories from when they were young. The stories had a lot of Old West to them, only set in those embracing hills and coffinlike seams of three-foot coal. It was a whole hunk of our history I'd never heard of, that a lot of people had never heard of.
In 1977 I wrote a novel called Union Dues that begins in West Virginia coal country and moves to Boston. Before I wrote it I did a lot of reading in labor history, especially about the coal fields, and that was when I came across the story of the Matewan Massacre. In a book about the Hatfield and McCoy feud in Mingo County, there was a mention of a distant cousin of the Hatfields named Sid, chief of police of the town of Matewan, who was involved in a bloody shoot-out in 1920, during the mine wars of the era. It got me interested, but accounts of the incident were few and highly prejudiced. The rhetoric of both the company-controlled newspapers of the day and their counterparts on the political left was rich in lurid metaphor but short on eyewitness testimony. But a few characters stuck in my head - Sid Hatfield; the mayor, Cabell Testerman, who wouldn't be bought at a time when the coal companies routinely paid the salaries of public officials and expected their strike breakers to be deputized and aided in busting the union; a man known only as Few Clothes, a giant black miner who joined the strikers and was rumored to have fought in the Spanish-American War; and C.E. Lively, a company spy so skilled he was once elected president of a UMW local. Aspects and details of other union showdowns in the area also began to accumulate - and transportations of blacks from Alabama and European immigrants just off the boat to scab against the strikers; the life of the coal camp and company store; the feudal system of mine guards and "Baldwin thugs" that enforced the near slavery the miners and their families lived in. All the elements and principles involved seemed basic to the idea of what America has become and what it should be. Individualism versus collectivism, the personal and political legacy of racism, the immigrant dream and the reality that greeted it, monopoly capitalism, at its most extreme versus American populism at its most violent, plus a lawman with two guns strapped on walking to the centre of town to face a bunch of armed enforcers - what more could you ask for in a story? And yet it was a story unknown to most Americans, untold on film but for a silent short financed by the UMW in the aftermath of the massacre. The movie was called Smilin' Sid and the only known print was stolen by coal company agents and never seen again.
Though there were familiar Western elements to the story, it had a unique character because of its setting. The hills of West Virginia, the people and the music have a mood and rhythm to them that need to be seen and heard to be felt completely. There is a cyclical sense of time there, a feeling of inescapable fate that in the story resists the optimism and progressive collectivism of the 1920s workers' movement. Politics are always at the mercy of human nature and custom, and the coal wars of the twenties were so personal that they make ideology accessible in a story, make it immediate and emotional. It was this emotional immediacy that made me think of making a movie about the events in Matewan.
If storytelling has a positive function it's to put us in touch with other people's lives, to help us connect and draw strength or knowledge from people we'll never meet, to help us see beyond our own experience. The people I read about in the history books and people I met in the hills of Kentucky and West Virginia had important stories to tell and I wanted to find a way to pass them on.
Saturday, November 14, 2009
Wales 3 Scotland 0
What a thing to wake up to on a wet Saturday morning.
It gets worse:
"Scotland have not beaten Wales since 1984 and that did not look like altering here as the Scots suffered their fourth successive away defeat - and their fourth road trip on the trot where they have not scored." [BBC Report]
25 years since beating Wales? Frankie were number 1 in the charts with Relax, for christ sake.
What makes it even more depressing is that when you dig out the stats for that Scotland win way back in February 1984, the scorers that day were Davie Cooper and Mo Johnston in a 2-1 win. To have that sort of quality in the team today.
I'm away out to drown my sorrows in a Chinese.
Industrial Worker interviews Noam Chomsky
Spotted over at Mind Glow blog:
The editor of the Industrial Worker, Diane Krauthamer, spoke to Noam Chomsky at his MIT office in Cambridge, MA, on October 9th, 2009.
The Industrial Worker is the official newspaper of the IWW (the Industrial Workers of the World), a radical union.
For more info, please visit: The IWW official website
http://www.iww.org
The interview is in 4 parts on YouTube:
A word of warning; I found the sound in the videos a bit spotty but that may just be me. An interesting enough interview with Chomsky discussing the revival of sit down strikes, his father's 'membership' of the IWW and the rise of the populist right, amongst other things.
Hat tip to Jason for the links.
A novel approach to politics
Back to the Socialist Standard.
There are long term plans to digitise every issue of the Socialist Standard going back to September 1904, in order that they can be made available online for anyone and everyone to read but, in the meantime, the work of posting articles of interest from old Socialist Standards falls on the shoulders of a few members who do the work off their own bat.
So, therefore, kudos to my old Central London Branch mucker Rob S for recently posting on the Socialism Or Your Money Back blog three old articles from the Socialist Standard on novelists and thinkers who have been of interest to socialists going back several decades:
From the March 1971 issue of the Standard, Robert Barltrop's review of the (then) recently published paperback version of the four volumed collected essays, journalism and letters of George Orwell: Coming up for Orwell From the May 1987 issue of the Standard, Carl Pinel's Leo Tolstoy: author and anarchist And from the November 1973 Standard, Paul Bennett's Camus: Portrait of a 'Rebel'
It'll come as no surprise to seasoned SPGB watchers that of three authors under discussion, Tolstoy comes out best from the three review essays. (Though with obvious qualification.)
To be honest, despite being a long term fan of Barltrop as a writer, I'm rather disappointed by the tone of his article on Orwell. A bit too sniffy and vinegary for my liking. Maybe, as someone who had just returned to the SPGB after ten years of other political activity, he was playing to a particular gallery a bit.
I much prefer both Brian Rubin's article on Orwell from the December 1983 Socialist Standard and (I believe) Les Dale's article on the Political Ideas of Orwell from the October 1986 issue of the Standard.
Of course Orwell knew about the SPGB. As an avowed anti-Stalinist writer and journalist in London in the 30s and 40s how could he have not crossed paths with the SPGB? There is the mention in passing to the SPGB in the aforementioned Collected Essays but it's also the case that I remember from a few years back a comrade mentioning that when he looked at Orwell's collected papers for research purposes in London they contained a number of SPGB pamphlets, with scribblings in the margins.
I wish now that I'd asked him what Party pamphlets were in Orwell's collected papers and what were those damn scribbles.
Friday, November 13, 2009
You Left Me Seering Stars
Weekly Bulletin of The Socialist Party of Great Britain 124
Dear Friends,
Welcome to the 124th of our weekly bulletins to keep you informed of changes at Socialist Party of Great Britain @ MySpace.
We now have 1547 friends!
Recent blogs:
Out of control Conspiraloons Free is cheaper
Quote for the week:
"Irrespective of the uniforms we wore, we were all victims." Harry Patch, WWI Veteran.
Continuing luck with your MySpace adventures!
Robert and Piers
More cold water. comrades. More cold water.
Much too frivolous for the 'Do They Mean Us?' series but if you happen to type 'Socialist Party of Great Britain' into an anagram generator, it comes up with PROFITABLY RAINIEST CASTIGATOR.
It's got everything: the social composition of the membership, the ingrained pessimism and the on-the-surface hostility to all and sundry.
And you thought the Thatcher link was going to be the most frivolous post of the day?
Five Go Mad in Dalston
Ian Bone brings details of what will be the Must See Film of 2015. (I'm pegging it for a 2015 release date unless the lottery commission is still doling out the revenue from the poverty tax for funding British films that won't make any money.)
The suggested chapter headings look intriguing. It looks like a mix of Green Street Hooligans and Channel 4's 80s comedy Dream Stuffing. If the filmmaker, Greg Hall, is taking requests for what scenes to pre-screen on YouTube, I'm especially interested in chapters 29, 38 and 41.
I wonder if David Baddiel will appear as himself? Surely only one man can play the late, grate Joe Strummer. But can he master the mockney accent for the part?
More info on the proposed movie adaption of Ian Bone's 'Bash The Rich' over here.
Until Pixar finally get round to adapting Breaking Free for the big screen . . .
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